SOLO
2022 CX 889, Vancouver Art Gallery Offsite, Canada (guest curator Godfre Leung, Interim Chief Curator/Associate Director Diana Freundl, Curatorial Assistant Julie Martin)
2021 Marvin ❤️ Henry, 56 Henry, New York, NY
2019 Embassy S_ites, Tomorrow Maybe, Hong Kong (curator Chantal Wong)
Dear John, Brooklyn Academy of Music (BAM), New York, NY (curator Holly Shen)
2018
Aloha to the World at the Don Ho Terrace, Bronx Museum, New York, NY (curator Sergio Bessa)
CX 888, de Sarthe Gallery, Hong Kong
2017
Dear John, Tremaine Gallery at the Hotchkiss School, Lakeville, CT
2016
Grown Up Art, Present Company, New York, NY
2013
RENT, Fjord Gallery, Philadelphia, PA
Demoiselles d’Avignon, Y Gallery, New York, NY
Privileged White People, Forever & Today, New York, NY
2011
Single Channel: Lesbian Mountains in Love, Des Moines Art Center, Des Moines, IA (curator Gilbert Vicario)
2010
Regional Painting, Winkleman Gallery, New York, NY
Like Death, New Mexico Will Catch Up with You in the End, The Fischer Press, Santa Fe, NM (two-person with Kevin Zucker)
2009
Et in Arcadia Ego, EDS Galeria, Mexico City, Mexico
Lesbian Mountains in Love, Delaware Center for Contemporary Art (curator Carina Evangelista)
2008
Time Machines, Jackson Hole Art Center, Jackson, WY
Happy Birthday, Winkleman Gallery, New York, NY
GROUP
2023 My Whole World, Baader-Meinhof Gallery, Omaha NE (curator Kyle Laidig)
2022 Witches Own Without, Current Plans, Hong Kong (curators Wong Kit Yi, Eunice Tsang, Lok Wong)
Lustrous like plastic: Heman Chong, Christopher K. Ho, Bo Wang, WangShui, Bard CCS Hessel Museum, Annandale-On-Hudson, NY (curator Junni Chen)
i set my face to the hillside, PS122 Gallery, New York (curator Ian Cofre)
Rendering, PHD Group, Hong Kong
2021 Group Exhibition #3, Fall River MoCA, MA (curators Harry Gould Harvey IV and Brittni Harvey)
A Higher Calling, White Space, Shunyi, Beijing (curator Shen Chen)
Expanded Field, OCHI Aux, Los Angeles, CA (curator Meghan Gordon)
Any distance between us, RISD Museum, Providence, RI (curators Stephen Truax and Dominic Molon)
So long, thanks again for the fish «拜拜 你條尾», Helsinki International Artist Program (HIAP), Finland (curator Yeewan Koon)
2020 Meditations in an Emergency, UCCA Beijing (curators Neil Zhang, Guo Xi, Luan Shixuan, Ara Qiu, Rocky Lin, and Duffy Du)
Beaver Co., Ltd., F Magazine issue 10 (editor Adam Marnie)
Next Act: Contemporary Art from Hong Kong, Asia Society Hong Kong (curators Joyce Wong, Katherine Don, Tiffany Law, and Doris Poon)
2019 Diplomacy, Yeh Art Gallery, St John's University, Queens, NY (curator Owen Duffy)
Forget Sorrow Grass: An Archaeology of Feminine Time, Times Museum Guangdong, China (curators Jianru Wu and Sirui Zhang)
Turbulence on CX 888, RxArt Coloring Book volume 7
Figuring the Floral, Wave Hill, Bronx, NY (curator Eileen Jeng Lynch)
2018 Notebook, 56 Henry, New York, NY (curator Joanne Greenbaum)
AXxoN N.: A Collective Commentary on David Lynch’s Inland Empire, Essex Flowers, New York, NY (organizers Jonathan Ehrenberg and Sean McCarthy)
Of Purism, Nina Johnson, Miami, FL (curators Charlap Hyman & Herrero)
Deep Flash: On Art and Transformation, VisArts, Rockville, MD (curators Susan Main and Jose Ruiz)
Intimacy, Yossi Milo, New York, NY (curator Stephen Truax)
USPS უსპს, Visual Art, Architecture & Design School, Free University of Tbilisi, Georgia (curators Dana Frankfort and Vera Iliatova)
The Last Equestrian Portrait, SPRING/BREAK, New York, NY (curators Kyle Hittmeier and Amanda Nedham)
Hecho en Transito / Made in Transit: A U.S.-Cuban Art Exchange, The Macy Gallery, Teachers College, Columbia University; and The Salena Gallery, Long Island University, Brooklyn Campus (curator Katarina Wong)
2017 尋求無情小姐 [In Search of Miss Ruthless], Para Site, Hong Kong (curators Hera Chan and David Xu Borgonjon)
White Lies, SpaceCamp, Baltimore, MD (curator, MICA Curatorial Practice MFA '18)
Sensible Disobedience, Charlotte Street Foundation, Kansas City, MO (curator Lynnette Miranda)
Project 12: Drew Bennett, Christopher K. Ho, and Anna Kunz, C2C Project Space, San Francisco, CA (organizer Kirk Stoller)
2016 Thanksgiving, Muse Arts, Hong Kong (curators Michelle Y. Loh and Aaron Zulpo)
Making Progress, Project: ArtSpace, New York, NY (curators Kevin Curran and Liz Atzberger)
ALOE: A Language of Exaltation: Seven Artists Reflect on Their Work, FiveMyles, New York, NY (organizer Larry Qualls)
My Nights Are More Beautiful Than Your Days, AC Institute, New York, NY (curator Osman Can Yerebakan)
2015 Field Meeting: St Joseph as Model, Asia Contemporary Art Week, Hunter College Art Galleries, New York, NY (organizer Leeza Ahmedy)
Christopher K. Ho: East Coast Tour, F Magazine issue 3 (editor Adam Marnie)
Perfect Heir, F Magazine issue 2 (editor by Adam Marnie)
Sylvie Bataille, JOAN, Los Angeles, CA (organizer Adam Marnie)
Made in USA / Some Parts Imported, Tiger Strikes Astroid New York, NY (organizers Naomi Reis and Heidi Lau)
Fictions, Derek Eller Gallery, New York, NY (organizer Adam Marnie)
2014 Half Drop, Gallery 81435, Telluride, CO (curator Meredith Neminrov)
Ten, Cindy Rucker Gallery, New York, NY (organizer David Andrew Frey)
Maspeth's World of Wheels: The Dad Look, Knockdown Center, New York, NY (organizer, Pete Watts)
2013 Spitball, Storefront Ten Eyck, New York, NY (curator Progress Report)
Wanderings and Wonderings: How I Feel Inside, Storm King Art Center, New Windsor, NY (curator Victoria Lichtendorf)
Eyes of Mars, Harper's Bazaar Hong Kong Art Issue (curator Hiram To)
Silence Unbound, Center for Book Arts, New York, NY (curator Heather Powell)
The Book Lovers, Museum of Contemporary Art, Antwerp, Belgium (2012); de Appel Arts Centre, Amsterdam, the Netherlands (2013) (organizers David Maroto and Joanna Zielinska)
2012 LOVE: Conceptual Strategies in Contemporary Painting, ARTBLOGARTBLOG at One River Gallery, Englewood, NJ (curator Stephen Truax)
Cultural Transference, The Elizabeth Foundation for the Arts, New York, NY (curator Sara Reisman)
Tell Me What You REALLY Feel, Center for Book Arts, New York, NY (curator Alex Campos)
Bound By Silence, Dowd Gallery at SUNY Cortland, NY (curator Heather Powell)
The Meeting, International Studio & Curatorial Program, New York, NY (curators Nick Kline and Monika Wuhrer)
2011 No Object Is an Island, Cranbrook Art Museum, Bloomfield Hills, MI (curators Gregory Wittkopp and Sara Pineo-Margolis)
Flag Day, Islip Art Museum, Islipm, MA (curator Janet Goleas)
Contain, Maintain, Sustain, Artisphere, Washington Projects for the Arts, Arlington, VA (curators Welmoed Laanstra, Sara Reisman, and Ernesto Santalla)
2010 Intangible Interferences, Momenta, New York, NY (curator Denise Carvalho)
Seedlings, Dallas Contemporary Art Center, TX (curator Regine Basha)
Room without a View, Freies Museum, Berlin, Germany (curator Trong Gia Nguyen)
White Night, Markus Winter Gallery, Berlin, Germany (curator Marco Antonini)
The Tenants, 106 Green, New York, NY (curator Vera Iliatova)
The Pavilion of Realism, Other Gallery, Shanghai, China (curator Raul Zamudio)
2009 Phantom Limb, 179 Canal, New York, NY (curator Mari Spirito)
Incheon Biennale, Incheon, Korea (curator Heng-Gil Han)
Con-Texto, EDS Galeria, Mexico City, Mexico
Never Late Than Better, Elizabeth Foundation for the Arts, New York, NY (curator Trong Gia Nguyen)
Solution, DiverseWorks, Houston, TX (curator Janet Phelps)
2008 Landscape as Litmus, Museum of Contemporary Art, Banha Luka, Republic of Srpska (curator Sara Reisman)
Metro Poles, Culture in Action, The Jamaica Center for Arts & Learning, New York, NY (curators Heng-Gil Han and Jose Ruiz)
Engineering Asia and New World, special exhibition at the Asian Contemporary Art Fair, New York, NY (curator Heng-Gil Han)
Chinese Biennial, Chinese Base and Huan Tie Museum, Beijing, China (curators Pan Xing Lei and Koan Jeff Baysa)
Made in America, Peel Gallery, Houston, TX (curator Janet Phelps)
Latitude, NYCAMS Gallery of Bethel University, New York, NY (curators Andrea Stanislav and Isha Bolhing)
Busan Biennale, Busan Sculpture Project, APEC Naru Park, Busan, Korea (curator Lee Jeong-hyung)
Cultivate, MASS MoCA at the Berkshire Botanical Gardens, Stockbridge, MA (curator Denise Markonish)
Estacionarte, MACO, Mexico City, Mexico (curator Sergio Nates; sponsor EDS Galeria; selector Gilbert Vicario)
2007 The Shape of Things to Come, Redhead Gallery at the Lower Manhattan Cultural Council, New York, NY (curator Marco Antonini)
Art Cleveland, Reinberger Galleries, Cleveland Institute of Art, Cleveland, OH
PILOT:3, SS. Cosma e Damiano on the Giudecca in conjunction with the Venice Biennale; Chelsea School of Art in conjunction with the Frieze Art Fair
Why + Wherefore, www.whyandwherefore.com (curators Lumi Tan, Nick Weist and Summer Guthery)
Dedicated to the Search for the Miraculous, SooFlex, Knoxville, TN (curators Mike Calway-Fagen and Julian Rogers)
Ceci n'est pas...., Sara Meltzer Gallery, New York, NY (curators Rachel Gugelberger and Jeffrey Walkowiak)
Latitude, Fieldgate Gallery, London, England (curators Andrea Stanislav and Isha Bolhing)
Jamaica Flux, Jamaica Center for Arts & Learning, New York, NY (curators Heng-Gil Han, Koan Jeff Baysa, and Olu Oguibe)
2006 8 x 8 x 8: NYC / MSP / LON, The Soap Factory, Minneapolis, MN (curators Andrea Stanislav and Patty McMeans)
Art Lies: Sincerity Issue, Austin, TX (editor Regine Basha)2005 New York Eviction Blues, Asian American Arts Centre, New York, NY
Sculpture 2005, Franconia Sculpture Park, Minneapolis, MN
2004 Sunrise Sunset, Smack Mellon, New York, NY (curators Amanda Church and Courtney Martin)
Freehand, Marvelli Lab, New York, NY (curator Rachel Gugelberger)
2003 Microviews II, Lower Manhattan Cultural Council, New York, NY
i live by the sea, Nuart Scandinavian Art Festival, Tou Scene, Stavanger, Norway
Float, Socrates Sculpture Park, New York, NY (curator Sara Reisman)
The 4 Elements, Forest Hills Educational Trust, Boston, MA (curator Cecily Miller)
Valdez: Revolution Issue, Bogota, Colombia (editor François Bucher)
2002 Microviews, Municipal Art Society, New York, NY
zingmagazine curated projects, New York (curator Omar Lopez-Chahoud)
Hash Brown Potatoes, Smack Mellon, New York, NY (curator Omar Lopez-Chahoud)
2001 Crossing the Line, Queens Museum of Art, New York, NY (curator Valerie Smith)
Fictive Net Porn, fictive.net, New York (curator Paul Clay)
Pedigree Pal: Neudefinition van Familie, Stedhalle, Zurich, Switzerland (curator Frederikke Hansen)
2000 Opening, Galerie 5ème Etage, Paris, France (curator Sebastien Cambray)
White Hot, Smack Mellon Studios, New York, NY (curators Regine Basha and Moukhtar Kocache)
U.S.A.: Sidelong Glance, im n iL Gallery, New York, NY (curator Omar Lopez-Chahoud)
EXHIBITION BIBLIOGRAPHY
2022 Christopher K. Ho: CX 889, Steff Hui Ci Ling, ArtAsiaPacific, October
Arrivals and Departures: Hong Kong's Aviation History, Part II, Christopher DeWolf, Zolima City Mag, 6 October
'A poignant memory': Artist pays tribute to Hong Kong's old airport with new Vancouver installation, Ashley Moliere, CBC News, 26 June
港人以國泰航班概念加拿大搭建藝術裝置 盼喚啟德機場回憶, Sing Tao Daily (Canada), 27 June
Banal Profundity and Profound Banality: Three Exercises in Reading Hong Kong, Rashna Darius Nicholson, TDR: The Drama Review, Cambridge University Press, June
Love's labours, with Richard Lord, South China Morning Post Magazine, 8 May
2021 The visceral impact of sense of intimacy in Any distance between us at the RISD Museum, Deborah Krieger, Artblog, November 11
At Helsinki Biennial, Hong Kong artists capture zeitgeist of a world in flux, where opposing values collide and rules can be tossed aside, Enid Tsui, South China Morning Post, 25 July
2020 Artist Christopher K. Ho reflects on identity, the meaning of home and the nature of the nation state, Aaina Bhargava, South China Morning Post, 20 August
Specters of History at Next Act: Contemporary Art from Hong Kong, HG Masters, Art Asia Pacific, August
Contemporary artists reflect on Hong Kong's recent history in Asia Society show, Aaina Bhargava, South China Morning Post, May 15
2019 Exhibition Takes Feminist Detour at Guangdong Times Museum, Shanyu Zhong, OCULA, 25 October
Meditations in an Emergency: Solace and Solidarity at UCCA, Penny Liu, OCULA, 12 June
Artists wrestle with split identity in Hong Kong shows, and find resonance with city's own struggle, Enid Tsui, South China Morning Post, July 26
2018 何怀恩在纽约布朗克斯艺术博物馆个展:在 Don Ho Terrace 向世界发声, 张雨卓 (Yuzhuo Mark Zhang), 精品大美术杂志, December
Christopher K. Ho at the Bronx Museum, Owen Duffy, Art Review, December
Who Really is Christopher K. Ho?, Hera Chan, Frieze, 31 October
In the galleries: Depicting nature's vital, ephemeral connections, Mark Jenkins, Washington Post, 5 October
Aloha to the World from the Don Ho Terrace, Andee Tagle, Mott Haven Herald, 3 October
Christopher K. Ho’s homecoming at De Sarthe: CX 888, Elliat Albrecht, OCULA, 7 September
There and Back Again: deSAR 2018, Christie Wong, Art Asia Pacific blog, 10 September
Artist to artist: An exchange with Cuba, Sharon Butler with Katarina Wong, Two Coats of Paint, 1 April
2017 The beauty of being both, Chitralekha Basu, China Daily | Hong Kong, 8 September
Christopher K. Ho Tackles Social and Political Amnesia, Kathy Cho, Temporary Art Review, 16 March
2016 Christopher K. Ho: Grown Up Art, Owen Duffy, Art Review, September
Christopher K. Ho: Grown Up Art, Chelsea Qianxi Liu, LEAP, August
Generating Legacy, Tabitha Piseno, RanDian, 21 July
2015 Sylvia Bataille at JOAN, Arielle Bier, Artforum Critic’s Picks, November
Made in USA / Some Parts Imported at Tiger Strikes Asteroid New York, Julie Chae, The Agora Culture
Future Artifacts, Scott Indrisek, L'Arco Baleno, May
2013 Christopher K. Ho: Privileged White People, Joshua Mack, Art Review, May
Christopher K. Ho: Privileged White People, Ming Lin, Artmobia, 22 February
Does Bill Clinton Deserve Our Love?, Daniel Larkin, Hyperallergic, 15 February
2011 Book Review: Hirsch E.P. Rothko, Jeremy Abernathy, Art Lies no. 68, Spring/Summer
Christopher K. Ho at Winkleman Gallery, Sara Reisman, ...might be good, 7 January
2010 Artforum Critic's Picks, Nuit Banai, Artforum, 18 December
Solo Identity, Marco Antonini, BMM, Winter
Painting Real Fiction, Stephen Truax, Hyperallergic, 16 December
2009 Solution at Diverseworks, John Devine, Art Lies, Summer
Solution, Kurt Mueller, Art Papers, May/June
2008 Christopher K. Ho at Winkleman, Gary Indiana, Art in America, May
Christopher K. Ho: Happy Birthday at Winkleman Gallery, Jonathan T. D. Neil, Art Review, March
Art in Review: Happy Birthday: Christopher K. Ho, Ken Johnson, New York Times, 25 January
Christopher K. Ho: Happy Birthday at Winkleman Gallery, NewArtTV.com, 15 January
2007 Welcome to Fantasy Island: Nicolas Weist on Christopher Ho & Troy Richards, Nicolas Weist, NY Arts, November – December
& Leisure, USELESS Magazine #6, Fall
Ceci n’est pas…, Nuit Banai, Time Out New York, 9 - 15 August
Ceci n’est pas…, Holland Cotter, New York Times, Friday, 3 August
2005 Arts, the vanguard to reshape Downtown, Tim Lavin, Downtown Express, 18 - 24 March
2002 Defaming Desire: Pornography in the Virtual World, Nuit Banai, NY Arts, March
From Photos to Relics, Remembering the Unforgettable, Roberta Smith, New York Times, Friday, 6 September
2001 Queens Sized: Crossing the Line, Anne Wehr, Time Out New York, 16 August
2000 Sidelong Glance, Karen E. Jones, Time Out New York, May
WRITINGS and INTERVIEWS
2021 Book of Ours, Christopher K. Ho and Troy Richards, RISD Museum: MANUAL 16, Fall/Winter
Mobility, Racialized, Art Asia Pacific, July/August
Christopher K. Ho and Daisy Nam discuss Best! Letters from Asian Americans in the arts, As told to Harley Wong, Artforum, 21 May
2020 Christopher K. Ho in conversation with Dawn Chan, November Magazine no. 3, August
2019 Airplanes Over the Pacific: Interview with Christopher K. Ho, Godfre Leung, Yishu, May/June
In Between: Interview with Christopher K. Ho, Mimi Wong, Art Asia Pacific, March
何恩怀谈近期创作, Li Jia「李佳」, ARTFORUM China, 14 November
2017 Kwan Sheung Chi at Edouard Malingue, Hong Kong Artsy, December
2016 Christopher K. Ho on Confucianism, White Privilege, and Art Dads, Danni Shen, Hyperallergic, 22 June
Interview with Christopher K. Ho, Brainard Carey, Yale University Radio WYBCX
2015 Become the Institution! Interview with Christopher K. Ho on identity (technically), Yu-Chieh Li, SCREEN, November
2013 Interview with Christopher K. Ho, Doretta Lau,
Harper's Bazaar Hong Kong, May (Art Issue)
Gallery Visit: Christopher K. Ho at Y Gallery, ffffffwalls, April
Privileged White People: A Conversation between Christopher K. Ho & Roger White,
Modern Painters, January
2012 The Clinton Crew: Privileged White Art, WOWHUH (2012); Silvershed Reader #2: Lateral Speculation (2013)
Interview, The Home Front: American Design Now (Chicago and New York: VVolume Gallery and Museum of Art and Design)
Dialects and Dialectics: curators Chelsea Haines and Eriola Pira, and artist Christopher K. Ho on what makes an art world real or imagined, Bomblog, 7 November
Praxis Makes Perfect: Creative Criticism with Christopher K. Ho / Hirsch E.P. Rothko, Jacquelyn Gleisner, Art:21 blog, May 10
2011 Fiction: Laocoön Strikes Back, No Object Is an Island: Dialogues with the Cranbrook Art Museum (Bloomfield Hills: Cranbrook, 2011); Artist Novels, eds David Maroto and Joanna Zielínska (Sternberg Press, 2014)
Hirsch E.P. Rothko by Hirsch E.P. Rothko, Winkleman Gallery (first edition), Publication Studio (second edition)
Interview: Christopher K. Ho / Hirsch E.P. Rothko, Tabitha Piseno, Bomblog, 8 March
Critic’s HQ: Lap Le, Megha Ralapati, Evita Yumul, In the Wake of 2013: Incheon Women Artists’ Biennale (Incheon: IWAB)
Brendan Fowler with Joes Mesler and Carol Cohen at UNTITLED, Art Review, Summer
Here Here: Introduction, Cranbrook 2011 Graduate Book (Cranbrook Art Academy, MI)
2010 Interview: Christopher K. Ho’s Regional Painting at Winkleman Gallery, Julia Halpernin, New York Observer TV, 3 December
2006 Dynasty, Dynasty exhibition catalogue, March
Erwin Olaf at Hasted Hunt, Modern Painters, April
Ellen Altfest: Still Lives at Bellwether Gallery, Modern Painters, March
Lucy McKenzie: SMERSH at Metro Pictures, Modern Painters, December
2005 Shadowlands: An Exhibition as Film at The Walker Art Center, Modern Painters, September
Greater New York at PS1 Contemporary Art Center, Modern Painters, May
Diana Thater: Continuous Contiguous at David Zwirner, Modern Painters, March
POST MoDERN at Greene Naftali, Modern Painters, March
Mauricio Alejo: Doubting St. Thomas at Galeria Ramis Barquet, Modern Painters, Spring
2004 Reflections on a Future that Might Have Been, Jamaica Flux exhibition catalogue (New York: JCAL)
Dan Flavin’s Square Corners Before and After the Mast, PAJ: A Journal of Performing Arts 78 (MIT Press, Autumn)
Atelier van Lieshout: Humans, Machines and Body Parts at Tanya Bonakdar, Modern Painters, Autumn
Felix Gmelin: The Cells in an Onion at Maccarone Inc., Modern Painters, Autumn
Modernism, Minimalism, and the Monochrome, The Varieties of the Monochrome, ed. Barbara Rose (Madrid: Museo National Reina Sophia)
John Waters: Change of Life at the New Museum of Contemporary Art, Modern Painters, Summer
Pierre Huyghe at Dia: Chelsea, Modern Painters, Spring
Oreet Ashery: Performance 2003 at Foxy Productions, Flash Art, Spring
2003 What Is an Indpendent Curator?, ARCO Magazine 30, Winter
Robert Morris: Blind Time Drawings at Haim Chanin Fine Arts, Modern Painters, Winter
Do-Ho Suh at Lehmann Maupin, Modern Painters, Autumn
Rebecca Hackemann, Multiple Views, Contact Sheet, Light Works Annual
Paul Pfeiffer at The MIT List Center for the Visual Arts, Modern Painters, Summer
Drawing Now: Eight Propositions at the MoMA QNS, Modern Painters, Spring
Santuaries: the Last Works of John Hedjduk at the Whitney Museum, Modern Painters, Winter
Mono-chrome at Paul Rodgers / 9W, Modern Painters, Autumn
Mexico City: An Exhibition About the Exchange Rates of Bodies and Values at P.S.1 Contemporary Art Center, Modern Painters, Autumn
Roni Horn at Dia Center for the Arts, Modern Painters, Summer
Wim Delvoye at the New Museum of Contemporary Art, Modern Painters, Summer
2001 Within and Beyond Felix Gonzalez-Torres’ “Crowd”, PAJ: A Journal of Performing Arts 61 (MIT Press, January)
2000 Manifest Installation—Bridge / Puente at Taller Boricua Gallery, NY Arts, November
Medium as Genre—Tim Gardner at 303 Gallery, zingmagazine 12, Spring / Summer
Narsismin estetiikkaa [Aesthetics of Narcissism]—Vibeke Tandberg at Andrea Rosen, KUVA 1/00 (trans. H. Kalha)
1999 Environs Americana—Visitor at White Columns, zingmagazine 10, Autumn
1997 Antonin Artaud from Center to Periphery, Periphery to Center, PAJ: Performing Arts Journal 56 (MIT Press, May)
Mediascape: The Illusion of Illumination, PAJ: Performing Arts Journal 55 (MIT Press, January)
CURATORIAL
2019 Dynasty III, PS122 Gallery, New York, NY, Co-curator
2016 Fatherhood, This Friday Next Friday, New York, NY, Curator
2014 The Chicago Effect: Redefining the Middle, Hyde Park Art Center, Chicago, IL, Co-curator
201 Dynasty II, Hotel Partciulier, New York, NY, Co-organizer
2011 In the Wake of 2013: Incheon Women Artists’ Biennale, Korea, Co-curator
2008 El Museo del Ghetto: Jefferson Pinder and Jose Ruiz, G Fine Art, Washington, D.C., Curator
Rotation X, Memorial Hall Gallery, Rhode Island School of Design, Providence, RI, Faculty
2008 The Shallow Curator, Winkleman Gallery, New York, NY, Co-curator
2005 Jack: Ian Burns, Adam Cvijanovic, Gedi Sibony, Cuchifritos, New York, NY, Co-curator
2004 Jamaica Flux, Jamaica Center for Arts & Learning, New York, NY, Co-curator
2003 A Night of Entertainment: Larry Krone and Guy Richards Smit, apexart curatorial program, New York, NY, Co-curator
The Brewster Project, Brewster, NY, Founding Co-organizer and -curator
2002 Now Serving, Art in General, New York, NY, Co-curator
2001 The Brewster Project, Brewster, NY, Founding Co-organizer and -curator
1999 UNPACKING, 2 Empty Apartments, New York, NY, Co-curator
EDITORIAL
2021 Best! Letters from Asian Americans in the arts, co-edited with Daisy Nam and Paper Monument (New York: Paper Monument)
2014 Golden Age: Perspectives on Abstract Painting Today, edited with essays by Marco Antonini and Christopher K. Ho (New York: NURTUREart)
2010 The Late Work: Christopher K. Ho and Kevin Zucker, The Fisher Press
CURATORIAL and EDITORIAL BIBLIOGRAPHY
2021 Best! Letters from Asian Americans in the arts, Lauren Long, ArtAsiaPacific, July/August
Art and Culture on Their Own Terms in Best! Letters from Asian Americans in the arts, Kerry Cardoza, Chicago Review of Books, 24 May
Getting Our Own, Danielle Wu, Art in America, 18 May
Asian Americans in the Arts, Ysabelle Cheung, Frieze, 12 May
Asian-Americans on the racism the pandemic unleashed, and their identity, Elaine Yau, South China Morning Post, 1 January
2014 Eye Exam: What It Means for Chicago to be in the Middle, Jason Foumberg, Newcity Art, 28 August
The Middle as a Means to an End: The Chicago Effect at the Hyde Park Art Center, Ionit Behar, ArtSlant, 9 September
The Hyde Park Art Center examines the Chicago way of doing art, Aimee Levitt, The Chicago Reader, 24 August
HPAC celebrates 75 this year, Jeffrey Bishku-Aykul, HP Herald, 22 January
2009 Rotation X: Curating as Academia, Tabitha Piseno, Bomblog, 9 December
2008 The Significance of Having No Meaning, On Purpose, Joe Bendik, Chelsea Clinton News, 31 July
2005 Jack, Michael Wang, Artforum.com / Diary / Market Forces, 27 May
Jack, Nick Stillman, Time Out New York, 23 – 29 June
2004 Critical Distance, Erin Donnelly, Site Matters (New York: Lower Manhattan Cultural Council)
For New Art, Just Take the 7 Train, Holland Cotter, New York Times, Friday, 12 November
Top 100: The New Season, Ken Johnson, New York Times, Sunday, 12 September
2002 International News / New York, Michael Wilson, Contemporary Visual Arts, October
Shifting Sites: The Brewster Project and the Plight of Place, Nuit Banai, PAJ: Performing Arts Journal 72, August
Front Page / Summer Art Getaway, Stephanie Cash, Art in America, July
2001 Manhattan Artists Adopt A Village as Their Own, Claudia Rowe, New York Times (Westchester), Sunday, 23 December
1999 UNPACKING, Federico Windhausen, zingmagazine 11
TEACHING
2023 Indiana University, Eskenazi School of Art / McKinney Visiting Artist
2020-21 FIT (Fashion Institute of Technology) / Artist Fellow
2021 Middlebury College, Art 169 / Visiting Lecturer
School of the Art Institute of Chicago, New Arts Journalism Department / Visiting Lecturer
UCLA, Asian American Publishing Class / Visiting Lecturer
University of California Berkeley, Center for Chinese Studies / Visiting Lecturer
2020 Baruch College, Department of Fine and Performing Arts / Visiting Artist
Portland State University / Visiting Artist
FIT and Hyde Park Art Center / “Residencies Connect: Christopher K. Ho and Abigail DeVille in Conversation”
Claremont Graduate University, Center for Business & Management of the Arts / Visiting Critic
2016-20 Maryland Institute College of Art, Curatorial Practice / Faculty
2017 Pratt Institute / Critic at Large
2009–17Rhode Island School of Design, Department of Painting / Critic
2016 Rhode Island School of Design, Glass Department / Critic
Association of Independent Colleges of Art and Design / Mentor
Parsons, Graduate School of Art / VA
Brown University / VA
George Washington University / VA
Cranbrook Art Academy, Department of Painting / VA
Rhode Island School of Design, Glass Department / VA
Virginia Commonwealth University, Summer Studies / Faculty
2015 Virginia Commonwealth University, Painting Department / Visiting Faculty
Association of Independent Colleges of Art and Design / VA
Pratt Institute / VA
2013 Cranbrook Art Academy, Department of Painting / VA
School of the Art Institute of Chicago, Arts Administration and Policy / VA
Sotheby's Institute / VA
2011 University of Delaware, School of Art / VA
New York University, Museum Studies / VA
Virginia Commonwealth University, School of the Arts / VA
2010 Cranbrook Art Academy / Critical Studies Fellow
Columbia University, School of Art / Friday Sessions Panelist
2007–08Rhode Island School of Design, History of Art and Visual Culture / Term Appointment
2008 Rhode Island School of Design, Glass Department / VA
2007 University of Minnesota, Department of Art / VA
2007, 2006
Rhode Island School of Design, Department of Painting / Critic,
2006 University of Tennessee, Department of Art / VA
2005 University of Hartford, Department of Art / VA
Florida Atlantic University, Department of Art / VA
2002–04Rhode Island School of Design, Art History / Term Appointment
2003 Yale University / VA
Rhode Island School of Design, Department of Photography / VA
2002 Rhode Island School of Design, Art History / Critic
2001 New York University / VA
Columbia University / Teaching Fellow
2000 Rhode Island School of Design, Art History / Critic
1999 Columbia University / Teaching Fellow
COMMUNITY
2021- Asia Art Archive / Executive Director
2020- Telluride Arts / Board Member
2020- Asia Contemporary Art Forum / Board Member
2021 The Power Plant Toronto / Co-moderator, "Hong Kong Is a Loaded Term: Mega/Imagined/Future Cities with Aihwa Ong, Dawn Chan, and Howie Tsui"
Human Resources Los Angeles / Co-moderator, "John Tain, C. Spencer Yeh, and Howie Chen"
Brooklyn Rail / Panelist, “Common Ground: New Social Environment”
A4: Asian Amercan Arts Alliance / Co-moderator, “Sung Kwan Kim and Brendan Fernandes in Conversation”
Museum of Chinese in America / "Curators in Conversation: Herb Tam and Christopher K. Ho"
Printed Matter Art Book Fair / Moderator, “Mel Chin, Aruna D’Souza, Patrick Jaojoco, and Hyperlink Press”
Asia Society Hong Kong / “Christopher K. Ho in Conversation with Willem Molesworth”
2021-18Asia Art Archive / Board Member
2021-15Asia Art Archive in America / Board Member
2020 NYFA / Mentor, Immigrant Artist Mentoring Program
Asia Art Archive in America / Co-organizer, “Leadership Camp IV: Other Racisms”
Washington Project for the Arts / Juror, Wherewithal Research Grant
Asia Society New York / Moderator, Virtual Book Club, Cathy Park Hong’s Minor Feelings
Trigger / Speaker, “Christopher K. Ho and Leung Chi Wo”
Pratt Institute / Panelist, “Asian Diasporas in Contemporary Art: Myths of Homeland and Return”
2019 Asia Art Archive in America / Co-organizer, “Leadership Camp III: Model Minority and Model Majorities”
2013-8 NURTUREart / Boardmember; Chair of Education Committee (2013-16)
2018 PS122 Gallery / Advisory Committee
Kitchen L.A.B / Speaker, “On Representation: Backstrom, Burns, Ho,” moderated by Nicole Kaack
Asia Art Archive in America / Co-organizer, “Leadership Camp II: Engendering Leadership”
Pioneer Works / Visiting Critic
2017 NARS Foundation Residency / Visiting Critic
CUE Art Foundation / Advisory Council
Beijing Contemporary Art Foundation / Moderator, "China-US Cultural and Creative Dialogue”
Salt Projects, Beijing / Speaker
Pinto Museum, New York / Interview with Yael Buencamino, Managing Curator, Ateneo Art Gallery at the Ateneo de Manila University
Present Futures Library, Open Engagement: Justice in Chicago / Contributor
2016 Forward Union Fair / Speaker, “The Syllabus”
Asia Contemporary Art Week / Moderator, “Field Meeting: Thinking Practice”
Asia Art Archive in America / Co-organizer, “Leadership Camp I: Envisioning Institutions”
Residency Unlimited / Visiting Artist
2015 Tiger Strikes Astroid New York / Panelist, “Golden Age: Perspectives on Abstract Painting Today”
Tapp’s Art Center / Panelist, “Golden Age: Perspectives on Abstract Painting Today”
2013-4 Momenta / Board Member
2014 Gertrude / Speaker
Center for Book Arts / Speaker
2013 Museum of Chinese in America / Speaker
A Slender Gamut / Speaker, “Upfront Night”
2012 Museum of Arts and Design / Moderator, "Local Behavior: What Makes an American Designer?"
NURTUREart / Co-chair, Benefit Committee
2011 601 Artspace / Panelist, "Narrative Objects"
2008-10Bronx River Art Center / Advisory Committee
2009 Jamaica Center for Arts & Learning / Panelist, “2009 Workspace Residency”
2008 College Art Association Dallas / Co-chair, “Painting and Critique in the Age of the Market”
Ohio Arts Council / Juror, Individual Excellence Award
Artists Alliance / Juror, Individual Artists Grant
2006-7 Cuchifritos / Curatorial Committee
2007 Rhode Island School of Design, Departments of Architecture, Industrial Design, Landscape Architecture, and the Division of Graduate Studies / Moderator, “Conversation with Vito Acconci”
Lower Manhattan Cultural Council / Visiting Artist
2004 Art Omi / Visiting Critic
artwurl magazine / Panelist, “artwurl recommends”
Korea Society / Panelist, “Butternut Ink”
Center for Book Arts / Juror
Asian American Arts Centre / Juror
2003 Lower Manhattan Cultural Council / Panelist, “Archive”
College Art Association New York / Panelist, “Crossings: Artistic and Curatorial Practice”
Kunsthalle Exnergasse / Speaker, “Inscribing the Temporal”
Art in General / Speaker, “Canal Street Projects”
Municipal Art Society / Panelist, “Microviews”
2001-2 Art in General / Advisory Board
2000-2 apexart curatorial program / Director of Conference and Residency Programs
2001 apexart curatorial program / Organizer and Moderator, “Inside / Out: Cultural Hegemony and the Reinvestigation of Indigenous Culture”
Location One / Panelist, “Art and Performance 2001: Celebrating 25 years of PAJ”
Queens Museum of Art / Panelist, “New York City: One Panorama, Seven Views”
RESIDENCIES
2023 Surf Point Foundation, York, ME / Artist-in-Residence
2022 Alex Brown Residency, Des Moines, IA / Artist-in-Residence
2021-20 Painting Space 122, New York / Artist-in-Residence
2019 Rauschenberg Residency, Captiva Island, FL / Artist-in-Residence
Wave Hill Winter Workspace, Bronx, NY / Artist-in-Residence
2018 Davidoff Art Initiative, Dominican Republic / Curator-in-Residence
2016 New Museum, New York, NY / R+D Sessions: Legacy Seminar, Participant
2014 Hyde Park Art Center, Chicago, IL / Curator-in-Residence
2009 Anderson Ranch, Snowmass Village, CO / Visiting Artist
2008 Jackson Hole Art Center, Jackson, WY / Artist-in-Residence
2005 Franconia Sculpture Park, Shafer, MN / Jerome Foundation Fellowship Artist-in-Residence
2004 Lower Manhattan Cultural Council, New York, NY / Artist-in-Residence
EDUCATION
2003 Columbia University, M.Phil, Art History
1997 Cornell University, College of Architecture, Art, and Planning, B.F.A. Architecture
1996 Cornell University, College of Architecture, Art, and Planning, B.S. (Honors) History of Architecture and Urbanism
1992 Hotchkiss School